Lionsgate: Roberto Rossellini Collection
- justeleblanc
- Joined: Wed Nov 03, 2004 6:05 pm
- Location: Connecticut
Lionsgate: Roberto Rossellini Collection
Last edited by justeleblanc on Fri Aug 29, 2008 11:52 pm, edited 1 time in total.
- justeleblanc
- Joined: Wed Nov 03, 2004 6:05 pm
- Location: Connecticut
- ellipsis7
- Joined: Tue Nov 02, 2004 1:56 pm
- Location: Dublin
May not be such a nice surprise after all - what Studio Canal supplied to their UK/IRL offshoot Optimum for their ERA NOTTE A ROMA DVD earlier this year was dire to say the least - soft, bad print, cropped & letterboxed... As they will also be supplying Lionsgate with materials under their deal, it may be too much to hope for something better... Let's wait and see....
- justeleblanc
- Joined: Wed Nov 03, 2004 6:05 pm
- Location: Connecticut
Dunno. Optimum's SENSO was also quite bad, but Criterion will be releasing the new print of it next year... so maybe Optimum just jumped the gun on both releases.ellipsis7 wrote:May not be such a nice surprise after all - what Studio Canal supplied to their UK/IRL offshoot Optimum for their ERA NOTTE A ROMA DVD earlier this year was dire to say the least - soft, bad print, cropped & letterboxed... As they will also be supplying Lionsgate with materials under their deal, it may be too much to hope for something better... Let's wait and see....
- ellipsis7
- Joined: Tue Nov 02, 2004 1:56 pm
- Location: Dublin
Maybe, but Optimum is owned by Studio Canal, so they are an organic whole... It's good to see SENSO due to come out on Criterion, showing that there are exemptions to the Lionsgate deal with Studio Canal... One confounder also is that Optimum released a dire version of ELENA AND HER MEN in their recent Jean Renoir box set long after Criterion released a perfectly lovely version in the JR STAGE AND SPECTACLE set... But I agree - we must live in hope!...justeleblanc wrote:Dunno. Optimum's SENSO was also quite bad, but Criterion will be releasing the new print of it next year... so maybe Optimum just jumped the gun on both releases.ellipsis7 wrote:May not be such a nice surprise after all - what Studio Canal supplied to their UK/IRL offshoot Optimum for their ERA NOTTE A ROMA DVD earlier this year was dire to say the least - soft, bad print, cropped & letterboxed... As they will also be supplying Lionsgate with materials under their deal, it may be too much to hope for something better... Let's wait and see....
- Scharphedin2
- Joined: Fri May 19, 2006 7:37 am
- Location: Denmark/Sweden
I like how these news of a DVD release of the restored print of Senso is just kind of passed along under the breath. Is Criterion really releasing this?! That would be fantastic! Is this for certain, juste?ellipsis7 wrote:...It's good to see SENSO due to come out on Criterion...justeleblanc wrote:Optimum's SENSO was also quite bad, but Criterion will be releasing the new print of it next year... so maybe Optimum just jumped the gun on both releases.
- justeleblanc
- Joined: Wed Nov 03, 2004 6:05 pm
- Location: Connecticut
- tubal
- Joined: Wed Nov 03, 2004 8:52 am
- Location: Zürich, Switzerland
Here's the DVD Times announcement.
- Tommaso
- Joined: Fri May 19, 2006 10:09 am
Re: Roberto Rossellini Collection
Beaver.
Sounds pretty bad
Sounds pretty bad
- Oedipax
- Joined: Wed Nov 03, 2004 8:48 am
- Location: Atlanta
Re: Roberto Rossellini Collection
Tag Gallagher's takedown of the Lionsgate copy is pretty enjoyable. He doesn't even mention the most glaringly obvious inaccuracy: to the best of my knowledge, André Bazin was never a "legendary French director," but rather a legendary French film critic!Tommaso wrote:Beaver.
Sounds pretty bad
- Tommaso
- Joined: Fri May 19, 2006 10:09 am
Re: Roberto Rossellini Collection
Yes, this made me smile, too. However, I could have lived with that and more if only the "Era notte" transfer wouldn't be the mess it seems to be. I wonder where an accaptable English-friendly version could come from now. Australia remains the last straw, but I don't have a lot of hope for it.
- GringoTex
- Joined: Wed Nov 03, 2004 5:57 am
Re: Roberto Rossellini Collection
Era notte a Roma is the strangest Rossellini I've seen. For the first 2/3, it's seemingly a return to "normalcy" for Rossellini (after his radically modernistic 50s work): a straightforward and tightly structured WW2 suspense tale. And then in the final 1/3, the whole narrative seemingly disintegrates into pieces of many other different stories: old characters vanish; new characters and settings and plotlines suddenly appear. I've read that Rossellini purposefully did not shoot certain scenes in his scripts to avoid being enslaved to the narrative. I don't know if that's true or if that's what's happening here. to But a sense of moral certitude placates the whole through Rossellini's brilliant, effortless long takes. I need time to wrap my head around this one.