#6
Post
by Tommaso » Thu Dec 11, 2008 3:42 pm
Some comments on the brand-new "Kuhle Wampe":
First: no subs on everything on the package. Second: the print used is in pretty rough shape with all the usual suspects: dirt, debris and some highly visible tramlines. I guess that was to be expected given the troubled history of the film, and I'm sure this is the best we will get for a while, barring a major restoration. Of course it's still the version as cut by the censors, i.e. central speeches are missing and even a whole plot point (the abortion) is hard to fully understand unless you knew about it before. But here again: the cut bits seem to be lost, unless someone at the Film Archive of Ulan-Bator finds a complete print....
Transfer itself seems to be good, though sharpness and clarity are very variable (all print issues, of course). No print issue is the slight edge enhancement, and the fact that again a German label got the aspect ratio wrong when releasing an early German sound film: this should be 1.19, but of course again it is transferred here in 1.33. The chopped heads don't occur as often as in other films with the same problem, and generally even with the tight framing it looks alright, but I wonder why it is apparently so difficult to get that elusive 1.19 right ?
Extras are very fine: a short documentary silent (indeed without music) by Dudow from 1930, and a 60 minute documentary about the censorship of the film, made by East German TV in 1975. That's a funny one: they actually 're-staged' the censorship proceedings with actors and even re-filmed the censored nude bathing scene with 1970s-looking people (which made me laugh out loud). Some interviews with cast and crew members at the end, too, and all in all a quite informative extra.
Best extra, though, is the 60-page booklet with a very illuminating essay on Brecht's filmic aesthetics, the making and reception of the film, some photos, some texts by Brecht himself and finally a contemporary review of "Kuhle" by Kracauer (and for once he has something useful to say). Great, clearly an MoC-style effort. But again, all in German, of course.
So, if you understand German, I would consider this a must-have, despite the wrong AOR. It's a very important film despite some flaws, and a good chance to see the amazing Hertha Thiele again.